Ivan Rabuzin
Artists in the database

Magyar, Victor
Maïk, Henri
Maiolo, Francesco
Mäkinen, Viljo
Malavasi, Armanda
Maleković , Vladimir * ( V.M. )
Mancuso Fuoco, Antonino
Mandić, Pero
Manes, Descallines
Manser, Albert
Manso, Carlos
Mäntynen, Tuomas
Maran, Anuika
Marchesini, Cesare
Marchetti, Amedeo
Margonari, Renzo * ( R.M. )
Margulies, Gerhard
Maria, Christen
Marie-Jo,
Marjančević , Mihajlo
Mark, Josef
Markarian, Léon
Maroević , Tonko * ( T.M. )
Maşek , Victor Ernest ( V.E.M.)
Matina, Branko
Matina-Marinković, Ivka
Maturanec, Andelka
Maurer, Heidrun
McKnight, Tom
Meca, Tomás (Meca)
Mehkek , Martin
Menozzi, Dino * ( D.M. )
Merise, Fritz
Meunier, Nicole
Michaud, Yves
Mihăilă , Denisa
Mihinica, Mato
Mihut, Petru
Mijajlović, Milovan Pop
Mikac, Srećko
Milazzo, Vincenzo
Milojević, Dobrosav
Miloš Grgin , Jure
Miranda,
Molina, Danielle
Monica, Mario
Monpremier, Madsen
Montañes, Rafael
Montilus, Mario
Mora, Franco
Morais, Crisaldo
Morani, Don Ambrogio (Brommo Giroiana)
Moro, Milagros (Yiyo)
Mortier, Josette
Moses, Grandma
Mozzali, Andrea
Mrvčić, Josip
Mühlenhaupt, Willi
Muñoz, Francisco
Murray, Andrew
Mustafa, Bara
Myrbel, Berthelus

The following list includes the names of all the painters and sculptors of which Fidan holds monographic material at present.
We are talking about authors, not artists : this must not surprise us, as this choice depends on a deliberate will not to enter the field of evaluation, of value-related judgement, a task which is left to history, or to whoever will demonstrate a higher theoretical competence.
Fidan's material is presented in polymorphic identities, including original information and copies, catalogues and monographies, books and biographies, magazines and articles, presentations, press releases, leaflets and invitations, but also photoes and videos, a mix of documents of a multi-coloured, versatile nature, characterized by a strong will to document, leave a precise trace in history, in the Zeitgeist of our time. The presence of researchers, critics and scholars who, over the years, have left a written trace of their interest towards Art Naif, giving an important contribution to the developements, even in diverging directions, and to the study, effective and ephemeral, but still important, of the naif phenomenon.

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