Authors in the database

Gagliano, Giuseppe
Gajić , Dragica
Galambos, Tomás
Galeotti, Francesco
Galerie Charlotte, * ( Galerie für Naive Kunst und Art Brut)
Galerie Pro Arte Kasper, *
Galerija Mirko Virius, Gallery * ( ▪▫▪▫▪ )
Galli, Giovanni
Galli, Walter
Gallizzi, Domenico
Galotti, Giovanna
Gambassi, Dante
Gamulin, Grgo * ( G.G. )
Gandolfo, Enrique
Gans, Louis
Garavana, Candido (Candido)
Garde, Silvia
Gatteschi, Lucio
Gatti, Pietro
Gaubour, Michéle
Gawlowa, Katarzyna
Gaži , Dragan
Generalić , Ivan
Generalić, Josip
Generalić, Mato
Generalić , Milan
Genot, Francine
Gentili, Aldo
Gerard, Fortuné
Gervasi, Elio
Ghin, Joseph
Ghizzardi, Pietro
Gianolio, Alfredo * ( A.G. )
Gigli, Stella
Gilboa, Nahum
Giombarresi, Francesco
Giovannelli, Massimo (Macio)
Giovanoli, Samuele
Gismondi, Amerigo
Giuffredi, Luigi
Giunchi, Emilio (Zenone)
Giusti, Giorgio Sebastiano (Johnny)
Gjerek, Alen
Gjerek, Stanko
Gramola, Marisa
Grams, Erich
Grande, Adriano
Grandi, Renzo
Grdović-Dalma, Bruno
Greffe, Leon
Gregoire, Alexandre
Gregori, Athos
Gregurić, Josip
Grgec, Petar
Grgeljac, Zdenko
Grill, Marijan Ivan
Grill, Marian Ivan
Grimmeisen, Franz-Josef
Grochowiak, Thomas * ( T.G. )
Grönlund, Annukka
Grosso, Michele
Grum, Željko * ( Ž.G. )
Guasco, Teodora (Teodora)
Guastalla, Elena
Gubler-Meissner, Marianne
Guerrier, Wilford
Guerzoni, Alberto
Guillén, Rufino
Gvozdanović, Mirjana* ( M.G. )

The following list includes the names of all the painters and sculptors of which Fidan holds monographic material at present.
We are talking about authors, not artists : this must not surprise us, as this choice depends on a deliberate will not to enter the field of evaluation, of value-related judgement, a task which is left to history, or to whoever will demonstrate a higher theoretical competence.
Fidan's material is presented in polymorphic identities, including original information and copies, catalogues and monographies, books and biographies, magazines and articles, presentations, press releases, leaflets and invitations, but also photoes and videos, a mix of documents of a multi-coloured, versatile nature, characterized by a strong will to document, leave a precise trace in history, in the Zeitgeist of our time. The presence of researchers, critics and scholars who, over the years, have left a written trace of their interest towards Art Naif, giving an important contribution to the developements, even in diverging directions, and to the study, effective and ephemeral, but still important, of the naif phenomenon.