Authors in the database

Saavedra, E.
Sabόia, José
Sagonti, Urbano
Saint-Fleur, Michel
Saint-Vil, Mural
Sainte-croix, Jean-Claude
Sala, Barbara
Salardi, Clara
Salarruè, Maria Teresa ( Maya )
Salge, Michel
Salomoni, Fausto
Samini, Gianni
Sangberg, Monika
Sanon, Lamarre
Sanon, Roosvelt
Saro, Belén
Sartori, Carlo
Savazzi, Gian Franco
Schaar, Monique
Schmit, Ilona
Schuhmacher, Maggi
Schuldhess, Jörg
Schwartzenberg, Simon
Scipione, Annunziata
Seemann, Fritz
Seifert, Max
Sekulić , Sava
Seleš , Željko
Senatus, Jean-Luis
Serafini, Giuseppe (Beppe Serafini)
Serpi, Giuseppe
Serra, Veronica (Zia Veronica)
Serragiotto, Severino
Severino, Francisco
Sgorlon, Carlo * ( C.S. )
Sickbert, Jo
Šijaković, Djordje
Silanos, Francesco (Ciu Cicillu)
Silva, Guglielmo
Šimić, Josip
Similien, Emilcar (Simil)
Simòn, Salvador
Simula, Giancarlo
Siváň, Štefan
Skurjeni, Matija
Slobodan, Ivicevic
Smičibrada, Dragica
Soguero, Margarita
Söhl, Manfred
Soua,
Spagnoli, Letizia
Spasić , Čeda
Špoljar , Marijan * ( M. Š. )
Stanisavijević, Dragiša
Stanisavijević, Milan
Staub, Anna
Šteberl, Ondrej
Stefula, Dorothea
Stefula, Gyorgy
Steib, Joseph
Steinkemper, Ingrid
Stella, Magda
Stephane, Macius
Stern, Emma
Stojčić , Goran
Stojkov, Sava
Stolnik, Slavko
Štrfiček, Zlatko
Strouvé, Sophie
Strub, Margaret
Stucchi, Arturo
Succi, Amleto
Sugranes, Antonio
Sulbarán, Josefa
Sund, Meike
Šuštaršić, Marko
Švaštec, Milovan
Švegović-Budaj, Nada
Szalowska, Zofia

The following list includes the names of all the painters and sculptors of which Fidan holds monographic material at present.
We are talking about authors, not artists : this must not surprise us, as this choice depends on a deliberate will not to enter the field of evaluation, of value-related judgement, a task which is left to history, or to whoever will demonstrate a higher theoretical competence.
Fidan's material is presented in polymorphic identities, including original information and copies, catalogues and monographies, books and biographies, magazines and articles, presentations, press releases, leaflets and invitations, but also photoes and videos, a mix of documents of a multi-coloured, versatile nature, characterized by a strong will to document, leave a precise trace in history, in the Zeitgeist of our time. The presence of researchers, critics and scholars who, over the years, have left a written trace of their interest towards Art Naif, giving an important contribution to the developements, even in diverging directions, and to the study, effective and ephemeral, but still important, of the naif phenomenon.