Canada

Gaubour, Michéle
Jost, Genevieve
Labonté-Côté, Claire
Sala, Barbara

As it often happened over the years, Fidan doesn't want to abandon the custom of not dividing and grouping together the naif phenomenon by nation. This for several reasons, which all imply a reflection upon the very nature of Art Naif, its popular components, its historical roots, its local social and cultural motivations, besides and beyond the individual element.