Ivan Rabuzin
Authors in the database

Pagano, Luisa
Pakasin-Petric, Nada
Paladin, Bruno
Palladini, Samuele
Panizza, Giuseppe
Parad-Vojković , Katica
Paravicini, Mila
Pardo, Amelia
Pasotti, Bernardo
Pasqualini, Eo
Pau, Franco Corrado
Paul, Gérard
Paulin, Aune
Pavković, Mladen (M.P.)
Pelechok, Fevronia (Soudia)
Penavuša Naletilić, Sofija
Peralta, Luìs
Peternelj , Jože
Peternelj, Konrad
Peti, Marija
Petit, Danielle
Petranović Rvat, Tomislav
Petrović, Petar
Petrović , Dragoslav
Peyrade, Geneviève
Philemon, Jean Valcy
Philippe-Auguste, Salnave
Piazzi, Irene
Pieraccini, Eugenio
Pierre, André
Pierre, Fernand
Pierre Louis, Prospére
Pierrette, Emmanuel
Pihkala, Lea
Pillitu, Luigi
Pintarić , Josip (Puco)
Pipić, Miro
Pirosmanashvili, Nikolai (Niko Pirosmani)
Planté, Isabelle
Plasmeijer, Joop
Plemelj, Anton
Podravka 72, K.U.D. Podravka * ( Likovna Sekcija )
Pohlers-Streich, Gerda
Polifemo, (Angelo Leidi)
Poltronieri, Alceo
Ponzi, Nello (Stanislao)
Popovski, Stevan
Porto, Nelson
Poteiro, Antonio
Pouget, Thérèse
Prah, Andrej
Prandi, Pier Paolo
Prandini, Luciano
Prato, Lorenzo
Previ, Mario
Priymachenko, Maria
Profil, Jonas
Puja, Florika
Puppo, Alessandra
Puškarić-Petras, Mara

The following list includes the names of all the painters and sculptors of which Fidan holds monographic material at present.
We are talking about authors, not artists : this must not surprise us, as this choice depends on a deliberate will not to enter the field of evaluation, of value-related judgement, a task which is left to history, or to whoever will demonstrate a higher theoretical competence.
Fidan's material is presented in polymorphic identities, including original information and copies, catalogues and monographies, books and biographies, magazines and articles, presentations, press releases, leaflets and invitations, but also photoes and videos, a mix of documents of a multi-coloured, versatile nature, characterized by a strong will to document, leave a precise trace in history, in the Zeitgeist of our time. The presence of researchers, critics and scholars who, over the years, have left a written trace of their interest towards Art Naif, giving an important contribution to the developements, even in diverging directions, and to the study, effective and ephemeral, but still important, of the naif phenomenon.

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